One night 23 years ago, the black musicians of Johannesburg had a big party. They all met at Dorkay House in Eloff Street to say good bye to the members of King Kong – the famous stage show about life in Sophiatown. King Kong was going to London.
The night was long and wild. Ntemi Piliso was the leader of the band. And the famous Sol Klaaste was also there – playing the piano like never before. Everyone sang, drank and danced until the sun came up.
In the morning the whole party drove to the airport. They all sang Nkosi Sikelela and waved good-bye to the members of King Kong. King Kong was off to London in an aeroplane full of babalas and sore heads.
Some of the men and women from King Kong never came home. When the show in London ended many of them stayed overseas. They wanted to study music or to make records.
One of these people was a young man called Jonas Gwangwa – the trombone player in the King Kong show. After the show he went to America. He studied at famous music schools in New York. He played jazz with big time American jazz men. He made many records and lots of money.
Jonas Gwangwa became famous – a homeboy who made good. He lived in America for 15 years. And those years were not wasted. He met a lot of people, he played a lot of music and he learned a lot. Jonas was doing well – but he was not really happy.
He began to feel alone – like a man floating at sea, cut off from his people.
But Jonas couldn’t come home. He couldn’t come home because of his politics. He spent a lot of time in America fighting apartheid. He knew the government in South Africa was not his best friend.
So he did the next best thing. He flew to Gaborone in Botswana to be close by. And that’s where he lives and works today – still making the music that people love so much.
Learn and Teach went to Gaborone to talk to Jonas Gwangwa. We wanted to ask him some questions – like why does a man leave an easy life in America for a not so easy life in Botswana?
He spoke in a quiet way. And his words were full of deep feeling for his country, his people, their history and their music.
“Life in the U.S.A, was good,” says Jonas. “I played trombone with some of the best jazz musicians in the world. I also made a lot of music with South Africans like Hugh Masekela and Miriam Makeba.
“One time I made a record with Miriam and Harry Belafonte – the great American blues singer. Most of the songs were in Zulu. So I had to teach Harry the words.
“It was great”, says Jonas. “Every time I went to Harry’s place he was sleeping. But I didn’t mind. He was paying me 15 dollars an hour. So I let him sleep. But soon he learnt some Zulu and we made the record. I learned a lot from that man.”
He learned a lot in America. But he never forgot his first lessons – the lessons he learned in the dusty streets of Sophiatown.
He remembered his days at Madibane High. He thought of his family and hard times. Jonas’ father was not so rich – like most black people in Sophiatown. The family could only pay for his sister to go to music lessons. So Jonas had to wait for a long time before he could play the music that was in his blood.
“I grabbed the first chance I got,” says Jonas. “From Madibane I went to St. Peters College in Rosettenville. Father Huddleston was the priest there. He got some old instruments and told us to play.
“I went to the first meeting. wanted to play the clarinet. But I didn’t know the name of the damn thing. So I asked for the first instrument I could think of – a trombone! I was shocked to see how big it was. But I was too shy to say anything. So that’s how I came to play the trombone.”
The boys at St. Peters started their own band and . called it the “Huddleston Jazz Band”. That’s where Jonas met people like Gwigwi Mrebi and Hugh Masekela – also great South African musicians.
Then Jonas joined the famous’ Union of South African Artists. This was a group of musicians who met on the top floor of Dorkay House in Eloff Street. Some of our best musicians played music there – people like Miriam Makeba, Hugh Masekela, Sol Klaaste, Kippie Moeketsi and Dollar Brand.
And Jonas never forgot the band called the Jazz Epistles. He played in this band with men like Kippie Moeketsi and Dollar Brand. He also remembered playing in big bands like the Jazz Maniacs. And Jonas remembered the last night in Johannesburg when Ntemi Piliso played all night and everyone got sore heads.
“I knew then that I didn’t make it on my own,” says Jonas. “I needed the help of my friends at home people like Kippie Moeketsi, Mackay Davashe, Ntemi Piliso and so many others.”
Jonas also believes that people can’t make music out of thin air. “Music comes from the history of people and from the places they live in,” says Jonas. He believes music comes from the way people suffer and from the way they fight to stay alive.
And in the U.S.A. Jonas was six thousand miles away from his people – the people that helped him make his music. So he had no choice. He had to be nearer home.
Today Jonas still makes music. He plays. with a young group of musicians in Gaborone. They call their band Shakawe — the name of a small village in the north of Botswana. He also works with a group called “Amandla” – musicians from South Africa who sing about their fight for freedom.
His biggest wish is for Ntemi Piliso to come to Botswana. He dreams about drinking a cold beer and sharing memories with his old friend.
And one day Jonas Gwangwa hopes to come home to meet everyone else. Until then he waits with his best friend – the trombone. And until then, he will carry on making music about his people and for his people.